This is my poetry blog, created to give me greater creative autonomy over how my work is presented and shared. I wanted a platform where readers could access my poetry directly without the distractions or formatting issues sometimes encountered through social media links and third-party platforms. This blog serves as a creative outlet where I can share poetry in a format that reflects my artistic vision.
Saturday, September 26, 2026
The Magic Hidden in Nine Innings
Friday, September 25, 2026
Crystalline Alchemy
Crystalline Alchemy
Poet's Notes:
Thursday, September 24, 2026
Mischievous Morsel
Mischievous Morsel
Poet's Notes:
Tuesday, September 22, 2026
Statue of Sadness On A Foundation of Shame
I wrote this poem for a Faced With Monsters poetry contest on the Poetry Soup website. The title was intentionally written to sound dark and match the contest theme, while also reflecting the poem's content.
Statue of Sadness On A Foundation of Shame
Overwhelm us and fill us with dread.
Poet's Notes:
Saturday, September 12, 2026
Will You Be Having The Curry?
Will You Be Having The Curry?
Poet's Notes:
The Beginning: A Little Tim Curry History
There is a moral,But it is often lost,Like a pebble in a frozen desert,Covered in Hell's frost.
The first two lines are inspired by a quote from Tim Curry's character Drake in The Pebble and the Penguin:
The pebble is a nod to the movie itself. "Hell's frost" then gives me an excuse to transition toward Tim Curry's portrayal of the Lord of Darkness in Legend.
And then we get to Pennywise.
Enter the Terrors
The floating-bodies stanza represents Pennywise from It. The first part is based on one of Pennywise's most recognizable lines:
I also learned that the character required extensive makeup. I had recently watched an interview with the actor who plays Vecna in Stranger Things discussing the extensive makeup process for that character, so I decided to throw a little Vecna-level makeup into the mix.
Why not?
Then comes another quote from the Sandman from Captain Planet and the Planeteers. At least, that was what I thought when I wrote the poem.
The AI Overview I used claimed that a character that does NOT exist said the line in question in a television show that DID exist.
Well...that's helpful. 😂
Apparently, even when you're writing a poem involving the Lord of Darkness, you have to watch out for the possibility that your research assistant will send you down the wrong path.
More chaos. That figures.
Maybe AI is the real Lord of Darkness now. 😈
Once I checked the quote against the actual Legend source, I found that it really does come from the Lord of Darkness:
"All things change, lady. The dreams of youth are the regrets of maturity.Dreams are my specialty. Through dreams, I influence mankind..."
I turned that into nightmares because, well... we're writing a King of Terrors poem here.
The reference to holding tight to orphans comes from Tim Curry's Rooster Hannigan in Annie.
Horror, Rocky Horror, and Clue
The next several stanzas are where the poem really starts having fun with Tim Curry's ability to play larger-than-life characters.
The lines about shivering with anticipation come from Dr. Frank-N-Furter in The Rocky Horror Picture Show:
And I don't care that the image converting tools I use online make mistakes and shoes become hands where feet should be... "Embrace the Anarchy." 😜😈
The chainsaw, skull, and Meatloaf references continue the Rocky Horror theme. The musician Meatloaf literally appears in the movie, so I couldn't resist turning his name into a very different sort of description.
The math stanza is a direct reference to Wadsworth's wonderfully unnecessary mathematical correction about the number of bullets left in the revolver in the film:
"Even if I was wrong, that would be one plus one plus two plus one, not one plus two plus one plus one."
Tim Curry on Playing Villains
- larger than life,
- on the margins of sanity,
- outside polite society,
- and capable of wonderful theatricality.
You do what you can't do in reality,
Very liberating playing foul,
Get paid to be evil,
Trade a smile for a scowl.
(I briefly considered spelling "foul" as "fowl", since Tim Curry has also played an evil bird. 🐧 )
And:
Maybe larger than life,
Living on the Margins of Sanity,
Polite Society be damned,
Embrace the Anarchy.
I also wanted to play with the idea that evil can be entertaining. That's where the theatricality, humor, bodies, and "goodie two-shoes" lines come from.
The line about people expecting villains to be frightening without makeup also comes from Tim Curry's comments about how people sometimes expect him to be terrifying in real life.
Apparently, a person who has played Pennywise and the Lord of Darkness is not necessarily terrifying while drinking a cup of tea.
Who knew? 😂
The line:
Be who you are,
is also a nod to Dr. Frank-N-Furter's famous:
"Don't dream it, be it."
Cardinal Richelieu
The next stanza brings us back to the character from the epigraph: Cardinal Richelieu in The Three Musketeers.
I had read a description of Tim Curry's performance as Richelieu that emphasized how frightening he could be without supernatural powers. His character's authority, cruelty, and disregard for human life were enough.
That inspired:
Make authority absolute,
Pair it with cruelty and disregard for human life,
You don't need makeup to be scary,
If you do it right....
And that idea is important because it starts moving the poem away from monsters who look terrifying and toward something more unsettling:
Sometimes reality doesn't need special effects.
From Annie to Hexxus
The next sequence begins with another Tim Curry character:
Clowns to the left of me,
Jokers to the right,
Being stuck in the middle,
Compels me to fight.
Those first three lines are a nod to Rooster Hannigan in Annie.
Then I take a sharp turn into FernGully: The Last Rainforest.
The following stanzas draw from the song "Toxic Love," performed by Tim Curry as Hexxus, along with my own observations about Hexxus sucking up pollution and becoming larger and more powerful from it.
The original lyrics include imagery involving:
"Oil and grime, poison sludge"
"Diesel clouds and noxious muck"
"Slime beneath me"
So I transformed those ideas into:
Gas clouds,
Noxious muck,
Slime beneath me,
Monster will suck.
And yes, "Monster will suck" is deliberately doing several things at once.
Hexxus literally sucks up pollution in the movie. "Monsters suck" is also a general joke about movie monsters because they are evil and bad.
It's cheeky. Hmmm... did one of those words in the stanza need to be PG-ratified for the contest? 😂
Then I brought in:
Trees, animals, the world,
What's in the air,
Hexxus destroys it.
See if society cares!
That last line is intentionally a taunt.
Finally, the fictional pollution monster gives way to the real world:
The world is on fire,
It's all going to shift,
The climate is expendable,
And the environment is taking a hit.
And this is not the good type of hit that Hexxus takes in the song "Toxic Love":
"Hit me one timeHit me twiceOh! Ah! OhWell, that's rather nice."
This is where the poem transitions from fictional terror to real-world concerns about wildfires, pollution, climate, and the deterioration of the environment—all things this poet (points to self) actually cares about in real life, too.
Hmmm... interesting word choices here.
The Ending: The Real King of Terrors
The final two stanzas are where the poem changes direction again.
I wanted to connect Tim Curry directly to the contest theme:
Tim Curry was A King of Terror,
But I didn't want to end the poem simply by listing all the terrifying characters he has played.
Tim Curry has experienced significant adversity in his own life, yet he continued working and acting after suffering a major health setback.
That made me think about the difference between fictional terror and real-life adversity.
A fictional villain can be terrifying because an actor makes the character terrifying.
But reality can be much scarier because there is no script, no special effects, and no guarantee of how the story will end.
That is why I ended with:
Reality can be more scary,
Than the fiction we watch and read,
Getting up after falling,
Is a masterful feat indeed.
The last line is my way of giving Tim Curry credit not merely for being an extraordinary performer, but for continuing to create and perform in the face of adversity.
The monsters may be fictional.
Getting back up is real.
And About That Disclaimer...
As for the final disclaimer:
Take your guess.
Maybe it's obvious.
Maybe it isn't.
Maybe the disclaimer itself is a red herring.
As one of the poem's own lines says:
Perceptions may vary.
And as another says:
You don't need makeup to be scary,If you do it right....
Evil laughter ensues.... 😈
Mysteries of the Frozen Underworld
Contest Introduction This poem was submitted to the "We are Not Alone" Poetry Contest on the Poetry Soup website. The contest cha...
-
Beauty in Composition Image by neelam279 from Pixabay Link: Original While Standing on my Poetry Soapbox: I believe that what we learn from...
-
This poem was entered into the King of Terrors Poetry Contest on the Poetry Soup website. Under the contest description, it simply said, ...
-
I entered this poem in the Poetry Soup Five Perspectives Contest. The contest required the Rhyme form, five quatrains, and the theme "W...
















































